10. SLAPSTICK - self titled
Now some will probably feel this one should be way up there on the list, but unfortunately i arrived to this party late, i only came across this masterpiece about 3 years ago, and its really good. But since i didnt have it back in the day, the connection was never made.
The energy would set the tone for Ska in the years after. Taking that crazy 90's punk sound and throwing in some horns is normally a mediocre affair, but this one seems to do it in a way that its almost like a signal to everyone else that i can be done. Not only done, but done to perfection.
Normally in these albums like this the musicality runs thin, and the songs start to run together. and guess what, it still does in this one. the horn themes do vaguely sound familiar throughout the record, making you think some songs are others, but it doesn't matter outside that because once you put the record on you cant stop it halfway. With this one, i welcomed the upstrokes into every mentality of Ska perfection, but perfection is subjective because this is only number ten.
9. Streetlight manifesto - Somewhere in Between
Its appropriate to add the band that is almost single handedly bring Ska back into play. This choice isnt really about how great the record it is, its fantastic dont get me wrong, but this is more about respect. Streetlight Manifesto is band where everyone can enjoy, the metal heads, stupid All Time Low girls, the Oi Douche bags, and the Ska Assholes like myself.
The Album doesnt Stop, you pop it in and you hear the opening to "We Will fall Together," you want to sit through just to see what will happen next. Every song on here is really good on its own, if you sit through all of them you'll play it again in case you missed anything. You just want to it to keep going, which their previous release didnt have that feeling with me. All the people ive made listen to this record have all had an individual favorite, so there is no BEST song on it, which should really say how good it is.
And the best part of the entire thing...All the energy, and emotion behind every one of these songs, is duplicated in their live show. And everyone goes absolute nuts during the performance. this type of energy in any kind of music is lost nowadays, and to stumble upon this you'll know what i mean, its exhausting to listen too.
8. Big D and the Kids Table - How it Goes
Some say Fluent in Stroll, others say Strictly rude, i say How it Goes, and ill tell you why. This one is a big one for me. I never thought my hatred towards snobby kids could be ever put into music, but even without the song that is completely about how snobby kids suck, this record puts it out there and breaks it down for you. Its so energetic, vulgar, and just an all around good time. Sure its not the most well loved ska album out there, but once you acquire the taste for this, or any of the big D albums you wont be able to put them down.
Making this music in the year it came out must have been a real challenge, this was that 90's poppy ska, with a little Awesome thrown in of course, in the good year of 2004. i think one of the songs got a little play time on the radio actually, but really who is going to remember that? The album is also pretty funny, its got these weird samples from im guessing from some talk show. Big D and the kids table, really puts it together on this one, "LAX" and "Little Bitch" are just worth the album on their own, laying down a tone and feel that the rest of your day will feel weird because you'll just start getting a deep urge to punch everyone in the face. That aside, this one is a must for anyone, i mean anyone remotely interested in the genre.
7. Choking Victim - No Gods, No Managers
There seems to be a little bit of a modern dispute of equality nowadays, some might not even pay attention enough, but really its like everyone thinks their being stepped on. This album here really shows about equality, because its really just hating on everything like Religion, Government, Racism, minorities, majorities. just no one is safe in the eyes of Choking Victim. Aside from the occasional verbal breakdown of something obscure to do with politics, the music is chock full of too much energy, that if you listen to this in the car you start to speed up to a dangerous level. I guess Creating a name for the type of music they play, they call themselves "Crack Rock Steady" which would be named after a song on the album.
Now this collection really has a soft spot with me, mainly for getting kicked out of our highschool talent show because apparently "5-Finger Discount" was an inappropriate song. So many classics on this album that you and your friends will be singing along to "500 channels" "5-finger Discount" "in my grave" and "crack rock steady" until you pass out from the great time you're having. Now the band unfortunetly isnt around anymore, but you can catch the equally good "Leftover Crack" or "Star Fucking Hipsters" around if the wind is just right.
6. Lightyear - Chris Gentleman's Hairdresser and Railway Bookshop
I love it when British people give a shit about American politics, and thats what this album is doing for a little bit. This one is super duper politically fueled unlike MOST of of my previous entries, but welcome all the same. This one has a few songs that just are so catchy you'll be singing them all the time until someone hits you on the head. "Life Jacket Water Wings," i have to say is my favorite track on the album, bringing up most of everything ive ever wanted in a Ska song, An Agenda thats never going to be accomplished, a catchy horn theme, and lyrics that roll off the tongue like grandma's butterscotch. There isnt much else to say about this one, but be ready, strap in, and hold on because this one is the shit.
5. Catch22 - Keasbey nights
Now ive talked about this album before, and if you're reading this you probably already know about this one. Bands cover songs off of it, streetlight manifesto (see #9) remade it, it cannot be properly duplicated. Theres no doubt this is probably one of the more influential on the list, i mean, it has really changed everything about the genre.
The energy in this album, along with all the others because its an important part of the genre, doesnt end. "Dear Sergio," still in my opinion one of the catchiest openers in any album ever. Even though, this is one of those that you'll adore every song on here; From the horn theme of The title track, to the tear building chorus to "Supernothing" this is an album, not just for ska lover, but for everyone.
Side note, anyone ever notice the album is a total copy of a Scrapy album, or at least they are very similar.
4. MU330 - Chumps on Parade
MU330 is one of those everyone should know, but i get the impression that not a lot do. Then i realize everyone does know of MU330, because they are Ska, everything about them is drenched in ska. They have it all, complicated horn themes, humorous lyrics, roaring solos, a social commentary on something nobody cares about. What happens here, doesnt stay on Chumps on Parade, because its picked up by every 90's pop-crazy ska band. Whether anyone acknowledges it, MU330 is totally one of the, if not the most important release of 1997, even though that was the golden age of the genre. the best track on the album is hard to say, but i think the one i am always on the edge of me seat waiting for is "The Punisher, Downtown"
"When we play down town, we never pay the tax. We'd rather go to
jail than to pay those dirty rats."
Along with the theme of the song, it will totally be stuck in your head all day, which reminds me, dont listen to these all in one day you wont have the experience.
3. Link 80 - Killing Katie.
This one is a little on the fence probably for most everyone, its one of those thats really hit or miss. and with me this was a good one, a REALLY good one. to this day if you asked for a song to define Ska-core, i would say "kind of..." by Link 80, it wraps up the whole genre in a nicely straight nasty bundle. As you will never be the same the first "Pick it up!" on the album, and you will forever be in love with this piece, at least thats how i felt when i was 9 years old. Its got the right amount of Horn mixed with the perfect amount of 80's hardcore. Every song gives you a taste of something different, "Packing up" gives you that DIY dirt nasty feel that the genre is trying to portray but can never quite find a way, besides a few exceptions. "kind of..." puts out that a good song doesn't take that much actual work, but can be done with enough feeling. There is only one problem with this album, Its no where near long enough, you just want more when its done. and unfortunately the band doesn't have too many releases so your taste can only be satisfied by spending way too many hours on the couple that they have. Killing Katie isnt a must have, but its a well deserved acquired taste.
2. Operation Ivy - Energy
This one seems to be a little cliché, because it seems everyone puts this on their list for best Ska album, or even best punk album. Theres a few reasons for that, because its just that good, completely inventing the genre, theres not a lot thats out that can top it. it goes without saying that this deserves a placement on any list like this, even if you are a stupid hipster that goes against majority opinion. Well this one isn't an opinion, its just a fact that Energy is one of the greatest albums to be recorded, ever. and everyone has their favourite to enjoy, mine being "big city" because i just cant get enough of it.
1. Suicide Machines - Destruction by Definition
Its too good, way too good. Its so good i put it above Operation Ivy. Destruction by Definition, takes the genre to a level for me none of the others could. "New Girl" rivals that of "Dear Sergio" on the extreme amount of build up in an opening track. "Break The Glass" makes you want to pull a heroin bob and punch something, and im not really a violent person, and when music gets that feeling out of me, its obviously doing something right. I can make my Hot-Topic-Core friends listen to this and they get a real kick out of it, and they like that shitty Peirce the Veil stuff. And why? because the organ in "No Face" can put a smile on anyones face, "hey" can make anyone want to get into a pit, because "Islands" makes you want to get out of the bed in the morning. Every song, Every one of them stands out on its own as a good song, but together they feed off each other that just make you come back for more. If anybody gets anything out of this, its pick up this album, and the others, but this is a priority because its top of the pop's.